Theatre
Theatre play in Italian - Sior Todero Brontolon
Franco Branciaroli is the protagonist of Sior Todero Brontolon, a masterpiece by Carlo Goldoni presented in 1762 at the Teatro San Luca in Venice and received with great warmth right from its debut.
Miserly, imperious, irritating with the servants, oppressive with his son and granddaughter, distrustful and touchy towards the world: it would seem impossible to empathise with Sior Todero Brontolon. Nonetheless, the indefinable ‘brontolòn’ has attracted actors of the calibre of Cesco Baseggio, Giulio Bosetti or Gastone Moschin, and it is now Branciaroli, a master of the contemporary stage, who offers an extraordinary and unexpected new interpretation directed by Paolo Valerio.
It was Goldoni himself who was amazed at how a text centred on such an odious and negative character had achieved such success. Needless to say, the topicality and peculiarities of his Todero are unscathed even today.
For the first time, Valerio's direction brings together Goldoni's world with that of puppets, two universes that meet in the microcosm of a real and imaginary place. A reinterpretation conducted with strict philological respect for the text and that - at the same time - brings to the stage an original intuition such as that of the puppets alongside the actors, as their alter egos.
Valerio and Branciaroli are preparing to amaze the audience once again with their reinterpretation of a classic of Italian theatre, which can still suggest much to contemporary sensibilities. Just think of the subtle and decisive role that Goldoni entrusts, in the play, to the female world, the only one that in the dramaturgical development appears fully positive. And the finale of the play - at a time when the concept of “patriarchy” dominates our chronicles in its most distorted and leaden meanings - weaves a vein of disturbance into the joyfulness of the resolution.
By Carlo Goldoni, dramaturgy Piermario Vescovo, with Franco Branciaroli and Piergiorgio Fasolo, Alessandro Albertin, Maria Grazia Plos, Ester Galazzi, Riccardo Maranzana, Valentina Violo, Emanuele Fortunati, Andrea Germani, Roberta Colacino in collaboration with I Piccoli di Podrecca.
Director Paolo Valerio
Sets Marta Crisolini Malatesta
Costumes Stefano Nicolao
Lights Gigi Saccomandi
Music Antonio Di Pofi
Stage movements Monica Codena
Production Il Rossetti Teatro Stabile del Friuli Venezia Giulia, Teatro de gli Incamminati, Centro Teatrale Bresciano
Duration: 140 minutes, including a break
Miserly, imperious, irritating with the servants, oppressive with his son and granddaughter, distrustful and touchy towards the world: it would seem impossible to empathise with Sior Todero Brontolon. Nonetheless, the indefinable ‘brontolòn’ has attracted actors of the calibre of Cesco Baseggio, Giulio Bosetti or Gastone Moschin, and it is now Branciaroli, a master of the contemporary stage, who offers an extraordinary and unexpected new interpretation directed by Paolo Valerio.
It was Goldoni himself who was amazed at how a text centred on such an odious and negative character had achieved such success. Needless to say, the topicality and peculiarities of his Todero are unscathed even today.
For the first time, Valerio's direction brings together Goldoni's world with that of puppets, two universes that meet in the microcosm of a real and imaginary place. A reinterpretation conducted with strict philological respect for the text and that - at the same time - brings to the stage an original intuition such as that of the puppets alongside the actors, as their alter egos.
Valerio and Branciaroli are preparing to amaze the audience once again with their reinterpretation of a classic of Italian theatre, which can still suggest much to contemporary sensibilities. Just think of the subtle and decisive role that Goldoni entrusts, in the play, to the female world, the only one that in the dramaturgical development appears fully positive. And the finale of the play - at a time when the concept of “patriarchy” dominates our chronicles in its most distorted and leaden meanings - weaves a vein of disturbance into the joyfulness of the resolution.
By Carlo Goldoni, dramaturgy Piermario Vescovo, with Franco Branciaroli and Piergiorgio Fasolo, Alessandro Albertin, Maria Grazia Plos, Ester Galazzi, Riccardo Maranzana, Valentina Violo, Emanuele Fortunati, Andrea Germani, Roberta Colacino in collaboration with I Piccoli di Podrecca.
Director Paolo Valerio
Sets Marta Crisolini Malatesta
Costumes Stefano Nicolao
Lights Gigi Saccomandi
Music Antonio Di Pofi
Stage movements Monica Codena
Production Il Rossetti Teatro Stabile del Friuli Venezia Giulia, Teatro de gli Incamminati, Centro Teatrale Bresciano
Duration: 140 minutes, including a break
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