Exhibitions
Giancarlo Lamonaca: RAUSCHEN & Mozzarellalight: TO FADE IN
Giancarlo Lamonaca: RAUSCHEN
In a world where digital images have become the dominant form of memory, the exhibition Rauschen (Noise) asks what is being lost. These are images in a state of transition, in which reminiscences of a digital archive reveal a different form of imagery. Their disturbances generate resistance—against the claim to completeness and against the smoothness of perfected image worlds. A digital palimpsest in which memory is not preserved or discarded, but transformed.
Mozzarellalight: TO FADE IN
Water, a floating matter and a moving organism, moves to the center of perception. It is no longer just a simple element, but a living body that changes over time and produces unstable and silent microsystems within itself. Every moment creates a new image, like a photograph that eludes capture. An apparition that cannot be captured, but only briefly reveals itself—only to disappear again immediately. The installation will be visible mainly in the dark hours of the day, as in a photographic process in which the image slowly appears on the film.
In a world where digital images have become the dominant form of memory, the exhibition Rauschen (Noise) asks what is being lost. These are images in a state of transition, in which reminiscences of a digital archive reveal a different form of imagery. Their disturbances generate resistance—against the claim to completeness and against the smoothness of perfected image worlds. A digital palimpsest in which memory is not preserved or discarded, but transformed.
Mozzarellalight: TO FADE IN
Water, a floating matter and a moving organism, moves to the center of perception. It is no longer just a simple element, but a living body that changes over time and produces unstable and silent microsystems within itself. Every moment creates a new image, like a photograph that eludes capture. An apparition that cannot be captured, but only briefly reveals itself—only to disappear again immediately. The installation will be visible mainly in the dark hours of the day, as in a photographic process in which the image slowly appears on the film.